We are excited to announce our next exhibition will be with Tiff Howick. It will run from Thursday February 4th, with an opening preview on Wednesday February 3rd from 6:30-9pm.

Tiff’s artwork features striking portraits of animals, focusing on dogs and British wildlife. They are done with a loose, expressive style in black ink, printed over a strong colour on crisp white paper.

What is your artistic weapon of choice? Pencil, pen, paintbrush, printing squeegee…
It is very hard to choose, I would say overall it’s a paintbrush, I really enjoy experimenting with brushmarks to create different textures.  

Your art features striking portraits of animals. Have you always been drawn to animals?
I have, I grew up with pets – Jack Russells, rabbits and guinea pigs. I also spent my summer holidays in Norway where there were sheep grazing in the forests and we’d see squirrels, deer and elk.  

Your animals are very expressive, like they each have their own personality. Is that something that evolves as each animal is drawn?
Mostly the expression is intentional, I’ll have a reference image with an animal in a pose that I think represents a particular behaviour or emotion such as the spirited French Bulldog or the thoughtful Greyhound.  Sometimes the expressions evolve and either reflect the mood I’m in when I’m drawing or I make subtle changes to the eyes to create an overall feeling that works for the drawing. 

Reading the expressions in my screen prints is subjective, people commenting on my work have seen a variety of different emotions. 

Your art is inspired by your Scandinavian heritage, vintage children’s illustrations, and contemporary fashion illustration. On the surface these styles are quite different, what is it within them that you think draws them all together so successfully?
Over time I have incorporated in to my work the elements of each style that I most admire.  Limited colour palettes from Scandinavian design and the creation of striking images with just one or two colours.  The bold colours are from Scandinavia and my childhood picture books, two of my all-time favourite illustrators are Carl Larsson and Richard Scarry.  The loose, textured brush marks and sketchy lines are inspired by fashion illustration, I am a huge fan of David Downton’s work. 

One of your most popular prints has been the Yellow Hare, which features a bright splash of yellow. Some of your prints feature colours that are not traditionally associated with the animal depicted. Do you feel that the colour can change the mood of the animal?
I’ve used bright primary colours to represent extreme versions of the animal’s natural colour, using one vibrant colour to simplify the final image. This sometimes ties in with the mood of the piece, the bright red fox staring assertively over it’s shoulder.  The hare is resting but alert, the bright yellow also representing a hot day in a cornfield.  

How long have you been printing?
I first printed a long time ago on an art foundation course.  I rediscovered screenprinting fairly recently and have been using it to create most of my work for just over three years. 

What is your favourite takeaway?
Since starting to work for myself I’ve researched and read a lot about how to make it work.  I would say the best advice, and the hardest for me to stick to, is to focus. Being creative my head is always full of new ideas, there are so many things I want to do and experiment with.  To make a living out of work that I really enjoy I’ve had to pick one idea and work really hard to make my screenprints as good as they can be. 

Or if you mean food it would have to be Indian :o) 

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