Milk Tooth Statement Earrings at OC&K

It is no secret that we are pretty much all earring lovers here at Of Cabbages & Kings. Simple studs are great and everything, but to be honest we have a hard time turning down big, bold, statement earrings! We’ve just unpacked our first delivery of a new brand specialising in just that, and they do not disappoint.

Milk Tooth LDN is a fashion house dedicated to exceptional earrings and specialising in standout vintage pieces. Their first original range, The Pluralist Collection certainly creates impact.


Inspired by striking cultural moments the designs combine a passion for gold and power dressing with contemporary patterns and bold shapes evocative of post-modern architecture. The result is a brilliantly fresh range of earrings that are both wearable, and of course, statement.

The brand’s philosophy is simple – embrace your style, wear things you love, feel amazing. Their belief is that bold fashion choices celebrate strong women and champion confidence. And with a statement earring, you have a hugely versatile and wearable option for creating a signature style.

The Pluralist Collection is a limited edition new range of gold-plated jewellery that offers distinction alongside great value. We have started our range with 4 styles, we can’t wait to see what they come up with next.



MESH Studio with Marcelina Amelia


On July 6th 2017 we will be hosting the official launch of MESH Studio with Marcelina Amelia here at Of Cabbages and Kings in Stoke Newington. On the opening night there will be a special pop-up shop from 5:30-9pm and the exhibition will run from July 7th until the end of August. We spoke with Marcelina to find out a bit more about MESH and the idea behind the brand.


MESH is a multidisciplinary art brand and design studio founded by artist Marcelina Amelia: Meshing shit up!

Marcelina has taken her artwork beyond the confines of the canvass and has applied it to affordable art objects and wearable art as well as limited edition prints, books and other artworks in a range of different media. Rather than focusing on product design, Marcelina often combines her image making with found household objects to create a series of one-offs within a theme.MESH_STUDIO_GICLEEPRINTS_POSTER_MARCELINAAMELIA.jpgThe Mission Statement:

“Our aim is to embody the term ‘Renaissance girl’, and as the name suggests, we love mixing different techniques and forms, like screen-printing, fashion, painting, ceramics, publications, illustration, politics and activism, because art shouldn’t have any boundaries. We hope that this fluid and meshy structure of the brand, will allow us to collaborate more and make a lot of exciting work and happenings.

MESH’s first collection is titled The Unsatisfied Girls Club and is inspired by the recent movement of strong and powerful women who aren’t afraid to walk tall and proud, manifesting their thoughts, fighting for their rights at the Women’s Marches and other activist happenings all around the world. 


The Unsatisfied Girls Club is a movement of women wanting and deserving more. Women uplifting each other, and rolling their eyes at the old outdated, stereotypical ways, not being ashamed of their ‘girliness’, standing for themselves and each other, because being a women isn’t a weakness. Research shows that many women are conforming to outdated stereotypes and acting ‘like an alpha male’ to succeed at work – including dressing like a man and hiding ‘girlie’ emotions.”

You can also read our interview with Marcelina on the blog from a few years ago when she had her last exhibition us.





Adam Bartlett – Painting and Process


We are excited to announce our next exhibition with Adam Bartlett aka Tigers of the Universe. You may have seen his prints in the shop over the few months, and we’ll be looking forward to see what comes next! Adam will be exhibiting some original paintings alongside limited edition giclée prints. The show opens with a private view on Thursday April 13th from 6:30pm, we hope you can join us.

Adam creates his paintings by building up many layers of painted patterns to create beautiful decorative artworks.  We were able to grab Adam for a few questions to ask about his work and process.

What is your artistic weapon of choice? Pencil, pen, paintbrush, digital….
My weapon of choice is the trusty pencil, followed closely by the brush.

How long have you been painting for? When did you start out?.
It feels like I have always been drawing and painting, although previously I was a digital illustrator for 8 years. It’s only been the in last 3 years that I’ve started painting again.

You often use a combination of media in your paintings, such as acrylic, spray paint, emulsion and even enamel. How do these combinations influence your final pieces?
The various mediums are used in layers. Emulsion is the base and finally the enamel for fine details. It’s not a hard and fast process, but more something that i enjoy. Also the paints have their own strengths and combined have good contrast and character. I am often unsure of the paints influence regarding the final piece, but more often than not pleasantly surprised.



Many of your pieces have jungle animals and lush landscapes. Are they inspired by travel or imaginary locations?
The animals and forests are pure fantasy. I long for a world covered in jungle and forests where the animals and birds can roam free. The natural world is so stunning and I want to capture this in my paintings.

You have also worked in fashion textiles and design, does this background influence your current work?
More and more I feel the influence of textiles creeping back into the paintings, not only with introducing texture again, but thinking about fabric designs etc. It’s exciting to come full circle and bring these various experiences together again, but with a fresh perspective.

Do find you that you come back to certain motifs, themes and colours over pieces?
Yes, I think its important to keep certain repetitive elements in your paintings. Sometimes I feel guilty about repeating things, as if I’m not pushing myself enough, in which case exploiting repetitiveness will suffice.

What is your favourite takeaway?
Mmm, fish n chips or shish kebab




Christmas List: Natalie

Today’s shop wishlist comes from Natalie, one of our behind the scenes and weekday staff members. As before her list crosses between both the shops in our storefront, Knit With Attitude and Of Cabbages & Kings. Natalie works behind the scenes for both shops during the week, and teaches the knitting classes.


A sweaters worth of Lettlopi in Charcoal, oatmeal, white and pink! I have been dreaming of a cozy traditional Icelandic sweater to keep me warm in the winter months and I think this combo would give it a modern twist. The body would be in charcoal and the accents in the other three colours.

Ibiba necklace from Chalk. I love this simple necklace that still makes a statement. I find a lot of bib style necklaces hard to wear, but this one is just the right size.

Have You Herd? calendar from Mister Peebles. The illustrations in this are so amazing, I would love to look at it every month! It would be hard to choose a favourite month. Better yet it would be easy enough to frame them up at the end of the year to continue to enjoy them.

The Mindfulness in Knitting by Rachel Matthews has been super popular in the shop and I would love the chance to crack it open and read about how good knitting is for me.

Lingnum Fold pencil pot would be a great way to keep my pencils tidy, and stop my knitting needles from rolling all over the table when I’m not using them.

Hedgehog Fibres Skinny Singles in Zephyr to knit a shawl. I love this colourway! It’s a cream base with little speckles of neons, making it a wonderful pop of colour on these dreary grey winter days.

British and Irish Isles Place Maps from JollySmith. I only moved to England a few years ago, so these maps would be useful and help my local geography, a win-win!

Christmas Wishlist: Jess

Things are starting to get a bit festive here at the shop! We asked all the staff to put together their wish list from the shop. You might not know if you haven’t visited our shop in person, but we are actually 2 shops in one storefront. The other shop is called Knit With Attitude, and sells ethically and environmentally friendly yarns and knitting supplies sourced from around the world. Our Christmas lists cross both shops, so extra reason to pop by and see if something catches your eye. Maybe it will inspire your own list, or help you find a gift for someone else.


First up is Jess’s list. She is the owner of Of Cabbages & Kings. We can see a bit of a colour theme going on here! Click on the links to see the products in the respective online shops.

Chris Andrews – Green Woodpecker print Maybe it’s the festive green and red combo that’s so appealing or memories of nature books and rambles through the woods?

Curve Hoops  I must be going through a green phase. These deco style earrings with the gold insert look super glamorous for party season. Want!!!

Pom Pom Quarterly Great little books. So collectable, they look lovely on the shelf and there are always two or three patterns I want to have a crack at. This winter it’s the Palindrome and Ondeto scarfs.

Sacred Saffron Beyul from Kettle Yarn  There’s a lace top I have in mind for this yarn. I love the rich rusty tones and silky sheen.

Project bag by Smock Shop Practical gift – these are so handy. And since I’ve usually got several projects on the go, I could really do with a different bag for each one.

Studio Noah Pots I have a fireplace in my new flat that’s just crying out to be filled with plants. These would be great potted with some succulents. Also, they’re made with volcanic ash and that’s just cool.

Soakwash This wash is so great for more than washing just wool, it’s saved a few of my silk tops that got a spot on them as well!

Thanks Jess! You can find all the items listed here online and in the shop! What’s on your wishlist?

Ashley Amery Inverview and Exhibition

We are excited to announce the next exhibition in the shop. Ashley Amery will be displaying new prints and drawings on July 2 from 7-9pm. If you are interested in attending you can RSVP with our Facebook event.

We were able to grab Ashley for a little interview about her work and inspirations, as well as a preview of some of her pieces that will be displayed in the show.
Web Banner OCK show_2What is your artistic weapon of choice? Pencil, pen, paintbrush, printing squeegee…
A pigment liner pen, or a small paint brush.

You have studied art in California, Italy and in London. Did you find that there were different approaches to art in each place? Has that influenced your work?
I think place always influences work, the landscape as much as the people. In California, I studied under artists influenced by Abstract Expressionism, who focused on the act of painting as an expression of the unconscious. California felt big and open. Large canvases layered with paint made sense in the space there. When I moved to Italy, it was a different world, packed with detail, and an extensive past. I had access to darkrooms and printmaking studios, and a library full of art theory books. I became interested in photography and how an art piece can embody a concept. I wanted to live in London partly because I read about ideas coming from the art colleges there. I loved the work of artists who used their practice as a way of thinking philosophically, often humorously. During my MA at Camberwell I began to draw about my internal struggles to define my identity. Since then I have circled back to the unconscious, approaching it with illustrative imagery rather than painterly gestures. Using the narrative aesthetic of illustration can be an unsettling way to point toward questions about limitations. Opposition within a piece creates energy.Ashley Studio shot

Your pieces evoke storytelling, imagination and play, while also hinting at darker mysteries. Can you tell us a bit more about your inspiration for creating these pieces?
For me, art is play that helps me access my thoughts. I like to think of my drawings as a way of looking for the unknown self.

Amery_swimming pool
Swimming by Ashley Amery 420×594 mm.

You also run a business (White Wall Yellow Door) creating children’s resources for museums and galleries. Do you find it very different to create art for children than adults?
The work I do with WWYD is about creating space for children to use their imaginations, which often means having to think about bigger ideas and take away much of my own detail work. I co-direct with an artist friend of mine, Sophy Rickett, and we enjoy the challenge of getting ideas about art across to young people. Each project has a direct aim and a client, providing a nice structure to work within. It’s exciting to make something kids spend time with, giving them ways to discover their own ideas and abilities.

AshleyPrints_01 rp
Story no. 1 by Ashley Amery. Gouache on paper.

Do you find yourself returning to themes with your work?
I am fascinated by the idea of the human mind, memory, and the unconscious, especially Jung’s archetypal Shadow. I have returned to this in a number of drawings and prints.
How long have you been printing?
I have been printmaking in some form since 2005, and I’ve always been drawing.

What is your favourite takeaway?
Bos Cirrik

Kingdom Under A Hat /// A Tour Of Factory Press

We’re very excited at Of Cabbages and Kings, to be hosting the launch of the latest edition from Factory Press Kingdom Under A Hat on Thursday 5th March, and last week I cycled over to Clapton to meet the creator – artist, designer and printmaker Liz Loveless. The book is the 9th published by Factory Press and I visited Liz at her studio and shop on the site of a disused ice cream factory just off Chatsworth Road to discuss the story behind it.

open book  garden pic 600  Books-600

A few years ago Liz had been asked to do some illustrations based upon the story of The Rock Garden of Chandigarh in India: A secret world built entirely from rubbish scavenged by it’s creator Nek Chand. This ‘Kingdom’ as Chand liked to refer to it, consisted of man-made interlinked waterfalls and other sculptures made of scrap and waste (bottles, glasses, bangles, tiles, ceramic pots, sinks, electrical waste, etc.) which were placed in walled paths.

The hidden garden had been built in a gorge Chand believed to be wasteland outside the city and no one found it for 19 years. It was discovered by the authorities in 1975, by which time, it had grown into a 12-acre complex of interlinked courtyards, each filled with hundreds of pottery-covered concrete sculptures of dancers, musicians, and animals. A battle then commenced to save the garden from demolition and it was finally granted public space status in 1976.

In January 2014 Liz had the opportunity to visit the garden herself and once again felt inspired by the story of Nek Chand and his secret rock garden. She started gathering discarded wrappers and other paper scraps from the pathways around the garden itself, which she bought back home to use and interweave into her own expression of the rock garden story. These collaged, enlarged sweet wrappers now decorate the end papers of her book.

chandigarh-rgarden2  wrappers.600
Liz often combines collage techniques with hand-pulled silkscreen to create the illusion of texture over a flat surface. Her books start life as A1 sheets of paper screen printed in 3 colours on both sides and finish as limited editions hand bound in cloth or card. Kingdom Under A Hat will be an edition of 650. These large sheets are then guillotined into double pages, arranged in order, folded with the bone folder, measured, hole punched and hand sewn to form the body of the book.

Plan chest- 600  BigsheetsPunch-600  Tools-600Liz-nipping-600  NippingPress

As I watched Liz at each step in the book making process I began to truly understand the love and craftsmanship that goes into constructing each and every one. The next stage was the nipping press. I’d been eying up this beautiful object since I’d entered the studio and couldn’t wait to see Liz put it into action. Liz cases the books in grey card, glues the end papers and covers the spine with bright coral book cloth. The nipping press will only hold 4 books at a time. Cellophane is placed between the pages to prevent the ink from sticking and the books are left overnight, sealing the endpapers to the cover and pressing the pages completely flat. By morning the new books are ready to be numbered and added to the edition.

On Thursday 5th March we’ll be hosting a very special evening to launch the new book. Liz will be at the shop with so please join us on a journey to the magical rock garden of Chandigarh, see Liz’s photo collage installation including a life size bicycle and watch a short supporting animation as well as grab your copy of this beautiful limited edition, hand-pulled silk screen printed, hardback, hand-bound book. There’ll probably be drink or two going round too!





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