An Interview with Sarah Beaton

Ahead of her upcoming show IN + OUT at Of Cabbages and Kings, Sarah Beaton talks through the processes that go into creating her bold expressive brush strokes.

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Sarah Beaton’s Studio in Shoreditch

What is your artistic weapon of choice? Pencil, pen, paintbrush, digital….

I love the bleeding of water and paint – watercolour is probably my favourite.

How long have you been painting for? When did you start out?

I have enjoyed painting and drawing from a very young age. My dad was an art teacher so art was always a celebrated skill to explore in my family.

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Brush stroke experiments with watercolour

Your pictures evoke landscapes. Do you start with that in mind or do you let the brushstrokes inspire you?

I am inspired by nature and find it to be my escape from the busy London life. I don’t usually have a particular image in mind. I enjoy being spontaneous and seeing what develops from the brushstrokes.

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To The Edge And Back by Sarah Beaton

Where did the idea for including the figures come from?

I was working in my studio listening to the Damian Rice album, My Favourite Faded Fantasy. On the album cover, there is a series of figures on a large wall with a ladder. I loved the illustrative nature of it and decided to try and make my own little images.

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A selection of brushes used to create various marks in Sarah’s work

You use a deep dark blue in your work, what drew you to that colour?

I love water and blue, for me, is the most calming of colours. It can be intense but also very tranquil. I enjoy the extremes of it.

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You are also a theatre designer, do the two influence each other?

I feel they cross fertilise. Designing for theatre is all about telling stories through a visual narrative. I work in scale all the time and I feel this feeds into my watercolours: finding stories and compositions within an abstract image.

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Each print is professionally scanned and printed onto Hahnemuhle German Etching 310 gsm

What is your favourite takeaway?

I love Thai food. So anything vegan and Thai is a winner.

You can see more of  Sarah’s work on our website or in the shop. Feel free to pop by on Tuesday 14th August from 7-9pm to meet her in person, view the work up on the walls and enjoy a glass.

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On The Crest of A Wave – Sarah Beaton
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Adam Bartlett – Painting and Process

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We are excited to announce our next exhibition with Adam Bartlett aka Tigers of the Universe. You may have seen his prints in the shop over the few months, and we’ll be looking forward to see what comes next! Adam will be exhibiting some original paintings alongside limited edition giclée prints. The show opens with a private view on Thursday April 13th from 6:30pm, we hope you can join us.

Adam creates his paintings by building up many layers of painted patterns to create beautiful decorative artworks.  We were able to grab Adam for a few questions to ask about his work and process.

What is your artistic weapon of choice? Pencil, pen, paintbrush, digital….
My weapon of choice is the trusty pencil, followed closely by the brush.

How long have you been painting for? When did you start out?.
It feels like I have always been drawing and painting, although previously I was a digital illustrator for 8 years. It’s only been the in last 3 years that I’ve started painting again.

You often use a combination of media in your paintings, such as acrylic, spray paint, emulsion and even enamel. How do these combinations influence your final pieces?
The various mediums are used in layers. Emulsion is the base and finally the enamel for fine details. It’s not a hard and fast process, but more something that i enjoy. Also the paints have their own strengths and combined have good contrast and character. I am often unsure of the paints influence regarding the final piece, but more often than not pleasantly surprised.

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Many of your pieces have jungle animals and lush landscapes. Are they inspired by travel or imaginary locations?
The animals and forests are pure fantasy. I long for a world covered in jungle and forests where the animals and birds can roam free. The natural world is so stunning and I want to capture this in my paintings.

You have also worked in fashion textiles and design, does this background influence your current work?
More and more I feel the influence of textiles creeping back into the paintings, not only with introducing texture again, but thinking about fabric designs etc. It’s exciting to come full circle and bring these various experiences together again, but with a fresh perspective.

Do find you that you come back to certain motifs, themes and colours over pieces?
Yes, I think its important to keep certain repetitive elements in your paintings. Sometimes I feel guilty about repeating things, as if I’m not pushing myself enough, in which case exploiting repetitiveness will suffice.

What is your favourite takeaway?
Mmm, fish n chips or shish kebab

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The Woodland Collection

Feeling autumnal? As the leaves fall from the trees and the darkness of winter descends, we’ve got a new collection of jewellery from Layla Amber perfect for this time of year: The Woodland Collection.

The Woodland Collection
The Woodland Collection

For some time Layla had been toying with the idea of working in wood. She had the spark of an idea to use geometric patterns in some way, but what form was that going to take? Layla began just sketching out ideas and always seemed to naturally gravitate towards drawing animals, and in this case it was an owl.  Experimentation led her to remove all of the unnecessary features, replacing what was left with geometric shapes and patterns. From here the idea was developed across some of her favourite woodland animals.

Woodland Fox Brooch
Woodland Fox Brooch
Woodland Leaf Studs
Woodland Leaf Studs
Woodland Feather Necklace
Woodland Feather Necklace