Adam Bartlett – Painting and Process

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We are excited to announce our next exhibition with Adam Bartlett aka Tigers of the Universe. You may have seen his prints in the shop over the few months, and we’ll be looking forward to see what comes next! Adam will be exhibiting some original paintings alongside limited edition giclée prints. The show opens with a private view on Thursday April 13th from 6:30pm, we hope you can join us.

Adam creates his paintings by building up many layers of painted patterns to create beautiful decorative artworks.  We were able to grab Adam for a few questions to ask about his work and process.

What is your artistic weapon of choice? Pencil, pen, paintbrush, digital….
My weapon of choice is the trusty pencil, followed closely by the brush.

How long have you been painting for? When did you start out?.
It feels like I have always been drawing and painting, although previously I was a digital illustrator for 8 years. It’s only been the in last 3 years that I’ve started painting again.

You often use a combination of media in your paintings, such as acrylic, spray paint, emulsion and even enamel. How do these combinations influence your final pieces?
The various mediums are used in layers. Emulsion is the base and finally the enamel for fine details. It’s not a hard and fast process, but more something that i enjoy. Also the paints have their own strengths and combined have good contrast and character. I am often unsure of the paints influence regarding the final piece, but more often than not pleasantly surprised.

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Many of your pieces have jungle animals and lush landscapes. Are they inspired by travel or imaginary locations?
The animals and forests are pure fantasy. I long for a world covered in jungle and forests where the animals and birds can roam free. The natural world is so stunning and I want to capture this in my paintings.

You have also worked in fashion textiles and design, does this background influence your current work?
More and more I feel the influence of textiles creeping back into the paintings, not only with introducing texture again, but thinking about fabric designs etc. It’s exciting to come full circle and bring these various experiences together again, but with a fresh perspective.

Do find you that you come back to certain motifs, themes and colours over pieces?
Yes, I think its important to keep certain repetitive elements in your paintings. Sometimes I feel guilty about repeating things, as if I’m not pushing myself enough, in which case exploiting repetitiveness will suffice.

What is your favourite takeaway?
Mmm, fish n chips or shish kebab

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The Photo Finish

And here are the final images! Just in case any of you were wondering, this is what the bricks and mortar shop looks like. Get ready for a guided tour!

Contemporary fine art prints
Contemporary fine art prints
Gifts, jewellery, stationery, homewares
Gifts, jewellery, stationery, homewares
The shop floor
The shop floor

We share our space at Of Cabbages & Kings with Knit with attitude, specialists in eco-friendly and fairtrade yarn, hence all the beautiful brightly coloured wool to the right.

Workshop area
Workshop area

This is our workshop area to the back or the shop. We hold all sorts of beginner and intermediate classes. Check out the website for details: Workshops

Yarn bombed, granny square, crochet counter
Yarn bombed, granny square, crochet counter

This is another photo of the crocheted granny square counter that Maya and I spent so many hours constructing. Our ‘floating box’.