Just A Card

We have been hearing and listening and watching the Just A Card campaign that has been moving around and making some noise recently. The idea behind the campaign is to bring awareness to how much even the smallest purchases, like a card, can make a huge difference to small businesses.

We have been thinking about how this fits into what’s happening at Of Cabbages and Kings. The shop has been in business for 7 years now. We’re lucky as enough people came and bought just a card to support us and help us grow through some extremely difficult times. Those cards add up to something more significant and we’d like to say a big thanks to those Stokey locals who kept coming back and buying ‘just a card’ over the years. While we’re now past the point where the purchase of a card can make a big difference in the daily or weekly takings, we do remember those days.

However, Of Cabbages and Kings does not exist in isolation. The truth is that selling ‘just a card’ is still important to our business, because it makes a big difference to the artists and makers who’s work we carry. Cards help spread a name, a brand, an idea or aesthetic and it is often the selling cards that allows the artist create their individual paintings, prints and illustrations. The cards that we sell are often miniature versions of bigger pieces of artwork, as in the case with Mister Peebles, who produces their illustrations in many sizes, from cards up to A3. For other brands like Mardy Mabel with her pithy text, cards are created as unique pieces and form the backbone of the business.

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Mardy-Sex

We support the Just A Card campaign because it supports artists, makers and independent businesses that make up the Of Cabbages and Kings shop, community, friends and customers.

Join the conversation using hashtag #Justacard

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Marcelina Amelia Exhibition and Interview

Our next exhibition in the shop is with Marcelina Amelia on May 7, from 7-9pm and will continue through to the end of June. We will be showcasing Marcelina’s limited edition hand-pulled screen prints and original paintings.instagram_ofcabbages

Marcelina’s work combines painting, drawing and screen-printing techniques. Originally from Poland, she draws inspiration from Polish religious iconography, folk tales, childhood memories, dreams, sexuality and human relationships. Her works are an uneasy mixture of lustful darkness and adolescent innocence. Inspired by pot plants, trapped wildernesses in miniature, the overcrowded streets of London and never ending online content, this body of work examines the relationship between humans, individuals and their environment. Marcelina utilises nature as a metaphor for everyday feelings and headaches.

-What is your artistic weapon of choice? Pencil, pen, paintbrush, printing squeegee…

I actually use all of them. I always start with the pen or pencil though, and then see where the work takes me. Because of my Fine Art and Illustration background, screen printing came in handy as I can mix both painting and drawing in one.

-What do you miss the most from living in Poland? 

I miss polish food, especially my grandma’s cooking. I also miss polish humour, it is very hard to translate it into another language. Believe me I’ve tried! I also miss the nature, in Poland we have both mountains and the sea, and beautiful countryside too –
and people, obviously.

Marcelina_cabbages_kings-How do Poland and London influence your work? 

Marlene Dumas once said that she never quite knows where she is. I have a similar feeling, that I’m always somehow divided between London and Poland, and that I’m never 100% present in a space and time. Suffering from a typical immigrant expat syndrome made me more aware of my own culture, and it became a source of the inspiration for my work.

Polish folk tales, religious iconography the aesthetics of School of Polish Poster, my own memories of growing up in Poland and the importance of family values have had a strong impact on my work. But, at the same time, London taught me a lot about the freedom of expression and being experimental, which gave me all those feelings that I would never experience if I stayed in a country that I was born in.

London is full of extremely talented people and interesting events, which motivates me. I also think that it made me grow up faster and made my skin thicker. But most importantly London, and its overcrowded alienation, is one of the themes that I find myself attracted to.Marcelina_cabbages_kings_girl

-A lot of your work seems to be very self-referential. Do you see it as a self-portrait?

Sometimes it happens unconsciously, I’m not trying to draw myself, but the final outcome resembles me. When I was a kid and I was learning to draw, sometimes because of the lack of the model around, I would sit in front of a mirror and spent hours drawing myself in different poses and expression just to practice. I would spent a lot of time drawing my younger cousins too, so every time I paint or draw a kid it has something that resembles one of them.

Usually I’m trying to tell a story or to illustrate a certain feeling, and a person that appears on a paper is just like an actor that is helping me to communicate the message.

At the same time, I can’t deny that my work is very personal.

-Do you find yourself returning to themes with your work?

Yes, I do often revisit the themes of my own and my family’s past, of growing up. I constantly find my family photographs as a great source of inspiration. Our relationship with the environment, where are we in terms of time and space, is also one of the themes I find myself going back to. I do often try to illustrate emotions.

– How long have you been printing?  

I’ve started learning about screen printing at the end of 2013. I took a fantastic course at Print Club London, and haven’t stopped printing since then.

-What is your favourite takeaway?

I’m trying to eat healthy these days, but I would not ignore a good kebab from Super Kebab in Stoke-Newington and I love sushi from Wasabi.
I do usually go out for coffee though, they have an amazing flat white in Haberdashery, and fantastic cakes in Bienvenue!

Kingdom Under A Hat /// A Tour Of Factory Press

We’re very excited at Of Cabbages and Kings, to be hosting the launch of the latest edition from Factory Press Kingdom Under A Hat on Thursday 5th March, and last week I cycled over to Clapton to meet the creator – artist, designer and printmaker Liz Loveless. The book is the 9th published by Factory Press and I visited Liz at her studio and shop on the site of a disused ice cream factory just off Chatsworth Road to discuss the story behind it.

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A few years ago Liz had been asked to do some illustrations based upon the story of The Rock Garden of Chandigarh in India: A secret world built entirely from rubbish scavenged by it’s creator Nek Chand. This ‘Kingdom’ as Chand liked to refer to it, consisted of man-made interlinked waterfalls and other sculptures made of scrap and waste (bottles, glasses, bangles, tiles, ceramic pots, sinks, electrical waste, etc.) which were placed in walled paths.

The hidden garden had been built in a gorge Chand believed to be wasteland outside the city and no one found it for 19 years. It was discovered by the authorities in 1975, by which time, it had grown into a 12-acre complex of interlinked courtyards, each filled with hundreds of pottery-covered concrete sculptures of dancers, musicians, and animals. A battle then commenced to save the garden from demolition and it was finally granted public space status in 1976.

In January 2014 Liz had the opportunity to visit the garden herself and once again felt inspired by the story of Nek Chand and his secret rock garden. She started gathering discarded wrappers and other paper scraps from the pathways around the garden itself, which she bought back home to use and interweave into her own expression of the rock garden story. These collaged, enlarged sweet wrappers now decorate the end papers of her book.

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Liz often combines collage techniques with hand-pulled silkscreen to create the illusion of texture over a flat surface. Her books start life as A1 sheets of paper screen printed in 3 colours on both sides and finish as limited editions hand bound in cloth or card. Kingdom Under A Hat will be an edition of 650. These large sheets are then guillotined into double pages, arranged in order, folded with the bone folder, measured, hole punched and hand sewn to form the body of the book.

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As I watched Liz at each step in the book making process I began to truly understand the love and craftsmanship that goes into constructing each and every one. The next stage was the nipping press. I’d been eying up this beautiful object since I’d entered the studio and couldn’t wait to see Liz put it into action. Liz cases the books in grey card, glues the end papers and covers the spine with bright coral book cloth. The nipping press will only hold 4 books at a time. Cellophane is placed between the pages to prevent the ink from sticking and the books are left overnight, sealing the endpapers to the cover and pressing the pages completely flat. By morning the new books are ready to be numbered and added to the edition.

On Thursday 5th March we’ll be hosting a very special evening to launch the new book. Liz will be at the shop with so please join us on a journey to the magical rock garden of Chandigarh, see Liz’s photo collage installation including a life size bicycle and watch a short supporting animation as well as grab your copy of this beautiful limited edition, hand-pulled silk screen printed, hardback, hand-bound book. There’ll probably be drink or two going round too!

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By The Power Of Voodoo

I’m heading down to Glastonbury this weekend for Halloween. This autumn festival always used to be quite a big deal when I was growing up in Suffolk and I have fond and funny memories of nights out at Oaksmere and Thornham Magna, seeing John Cooper Clarke, being shouted at by one-toothed angry farmers screaming ‘Get off my land!’, and eagerly anticipating whether the witch on the zip wire would make her full flight. She never did!

It’s the first time in a while that I’ve had the chance to celebrate Halloween properly and I think I may have got a little carried away. My brother has just moved to the West Country to take on La Terre, a bar and cafe in Glastonbury town. This is their first big event, there’s a delta swamp blues band and the theme is Louisiana Voodoo.

So, maybe not your average housewarming gift, but here goes Voodoo! I’m going to make myself a custome and something for them to hang on the wall – Voodoo-style.

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Flora and Fauna

Wow! It’s amazing (and a little frightening) what you can get on the internet these days. I purchased myself a whole sheep skull. A tad grim, but after a couple of days in a bucket of bleach I felt comfortable it was truly dead, and a delicate little rabbit skull. I did also spot a taxidermy crocodile head going for a tenner! Then I took a walk around the park, gathered some sticks, fished some feathers out the duck pond and had a look through granny’s old embroidery stash. And a ha! I knew there was a reason I kept those horrid beads that looked a  bit like bones for over 20 years!

We’ve had a couple of exhibitions at the shop recently that definitely influenced my choice of colours. Both Martha Copeland and Johnathan Reiner‘s female portraits exploring ceremonious dress and tribal skin markings tackle notions of beauty, worship and costume. I revisited those, sat down to a large dosage of True Detective and then set to task.

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Totem 1 – Artemis

 

 

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Totem 2 – Rhea

 

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Martha Copeland

So after quite a lot of twisting, winding, braiding, weaving etc this was the result. The final touch being some of granny’s gold buttons that I attached to the sheep’s eye sockets. She’s currently in the shop window scaring away our potential customers! (The sheep skull – not my granny)

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Sheep skull Voodoo wall decoration

 

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Close Up

 

I thought the sheep’s skull might be a bit awkward to wear as a headdress so I decided to make something a little smaller out of the rabbit skull. My brothers always used to mock me for my ‘Jennifer Connelly in Labyrinth’ teenage tantrums. I’ve just got a bit closer to playing the part.

Happy Halloween!

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Rabbit skull head dress

Kid Spirit

Local artist Johnathan Reiner has produced a series of hand-pulled screen prints entitled ‘Kid Spirit’. His masked child figures confront the viewer, questioning relationships, childhood and the expansive and wild possibilities of the imagination.

Johnathan trained as a doctor in Neuroscience, but in recent years he has been devoting much of his time to learning the art of print making. In his screen prints he combines graphic and illustrative components with drawings and the manipulation of photographic textures and details to explore colour, pattern and composition.

 

Kid Spirit I - Maui
Kid Spirit I – Maui

Kid Spirit II - ChicksKid Spirit II – Chicks

Detail from Kid Spirit II - Zoro
Detail from Kid Spirit II – Zoro

Metals by Lovely Pigeon

From an old net loft on the East coast of Scotland, Kirsty Thomas tries to avoid the distraction of the beautiful view as she beavers away in the Pigeon Studio. The Lovely Pigeon is a maker of prints, stationery, jewellery and things that to Kirsty resonate people and places. On this occasion I would like to show you the metal collection: Earrings, necklaces and notebooks with clean lines and shiny geometric shapes.

First we have the ‘brassy’ Brass range. Gold and bold and primary coloured these pieces make a statement! The handcrafted jewellery is made of geometric panels of brass and bright yellow and coral Formica.

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And then we have the stylish, more subtle Copper theme. Brushed copper panels are layered with mint, soft grey and navy to create a fresh contemporary look.

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Kirsty has also created a set of A6 notebooks with geometric copper foil designs:navyset_150 group_2_150_1

Sugar Snap Studio

Sugar Snap Studio was set up in 2012, to house the growing collection of illustrations for children by Jessie Ford. To date, her work has included packaging for Mothercare, suitcase illustrations for Samsonite, children’s books for Abrams Publishing USA, and murals for Sophie Dahl, to name a few.

Last Summer, Sugar Snap Studio’s products were sold in Selfridges, as part of the Bright Young Things show, with the Poundshop Collective. She has exhibited widely, in New York, Milan, London, and this coming Winter, in Japan. Sugar Snap Studio’s graphic and colourful designs are due to hit the shops this Spring, when it’s first stationery line will be launched.
Jessie’s simple illustrations of creatures great and small depicted in bold colours are distinctive in style. Here are a few of our favourites:
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Bear Hunt by Sugar Snap Studio
A young boy consults his book as he wanders through the dark woods on a starry night followed by a procession of bears wearing party hats.
Fox by Sugar Snap Studio
Fox by Sugar Snap Studio
Mr Fox is looking very dapper in this striking orange and back print.
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Bear on a Bike by Sugar Snap Studio
This big smiley black bear peddles through the park on his penny farthing bicycle.

The Christmas Market 2013

Here are a few photographs from the big event. There were a lot of activities going on across London that weekend, particularly on the Saturday, and Sunday’s dreary wet weather left a lot to be desired. Regardless of this however, keen shoppers turned out in their hundreds to support our designers and makers and to gather their Christmas gifts. The hall looked proper festive (I think the paper chains just about held out to the last!) and thanks to the welcoming smiles and cheery chatter from the stall holders, a warm and buzzing, Christmassy atmosphere rang throughout.

Every so often on the Saturday, the chatter would stop, while London Acapella Choir Time At The Bar sang us a few festive numbers from their Christmas repertoire.

There was a sausage roll shortage on the Saturday, but a fried egg sandwich breakfast for the stallholders on the Sunday was an out-and-out winner. Well done Team!

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Tematrilla
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Bobbin & Bow
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Hanna Melin
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Jane De Bono
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De Ja Ooh
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Parasite Ceramics
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TickTackToe

Introducing Rosita Bonita – The Toledo Collection

Rosita Bonita is an independent designer with a speciality in leather jewellery. Each piece is lovingly handcrafted in her East London studio, beginning as original illustrations which are then screen-printed or foil-embossed onto fine leathers & carefully assembled into unique & collectable treasures. Inspired by a glamorous fantasy of past times & faraway lands, from stage sets & costumes from Hollywood’s golden era, carnivals & magic shows, the vintage graphics of posters & packages & the icons of myth & legend, Rosita Bonita aims to design striking but wearable pieces to bring a touch of the frivolous fun of dressing up into everyday life.

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Rosita Bontia

New for Autumn/Winter 2013, The Toledo Collection is an elegant, yet playful take on the traditional damascene jewellery of Spain & Japan. Delicate illustrations fusing the two styles are embossed in shining gold foil onto smooth, lightweight leather in bold Black & regal Ox Blood, & dressed with golden chains & swinging tassels.

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Medallion Bollo and Coin Disc Drop Earrings

A versatile, unisex piece, this bolo can be worn as a tie, or a necklace. The leather medallion is foil – embossed with a pair of golden birds framed by an ornamental hoop and mounted on a gold plated slider, on a braided leather bolo cord with graduated golden tips.

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Creole Earrings in Bold Black
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Fan Empress Collar
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Medallion Bollette and Large Hoop Earrings

 

The Woodland Collection

Feeling autumnal? As the leaves fall from the trees and the darkness of winter descends, we’ve got a new collection of jewellery from Layla Amber perfect for this time of year: The Woodland Collection.

The Woodland Collection
The Woodland Collection

For some time Layla had been toying with the idea of working in wood. She had the spark of an idea to use geometric patterns in some way, but what form was that going to take? Layla began just sketching out ideas and always seemed to naturally gravitate towards drawing animals, and in this case it was an owl.  Experimentation led her to remove all of the unnecessary features, replacing what was left with geometric shapes and patterns. From here the idea was developed across some of her favourite woodland animals.

Woodland Fox Brooch
Woodland Fox Brooch
Woodland Leaf Studs
Woodland Leaf Studs
Woodland Feather Necklace
Woodland Feather Necklace